Waves & Oscillations
1. The Wave Equation
A wave is a disturbance that transfers energy without transporting matter. A wave is described by its amplitude $A$, wavelength $\lambda$, frequency $f$, and speed $v = f\lambda$:
where $k = 2\pi/\lambda$ is the wave number and $\omega = 2\pi f$ is the angular frequency. For a string under tension $T$ with linear density $\mu$, the speed is $v = \sqrt{T/\mu}$. The general one-dimensional wave equation is:
2. Superposition & Interference
When two waves meet, they superpose — their amplitudes add. This leads to interference: constructive (in phase, amplitudes add) where peaks align, and destructive (out of phase, amplitudes cancel) where a peak meets a trough.
Thomas Young's double-slit experiment (1801) demonstrated light's wave nature: alternating bright and dark fringes appear because light from the two slits travels different distances to each point on the screen, creating varying path differences $\Delta L = d\sin\theta$.
3. Standing Waves & Resonance
When a wave reflects and travels back, it interferes with itself. At resonant frequencies, the reflected wave reinforces the incoming one, creating standing waves with fixed nodes (zero displacement) and antinodes (maximum displacement). Only wavelengths $\lambda_n = 2L/n$ fit on a string of length $L$ fixed at both ends:
The fundamental ($n=1$) is the lowest note; higher harmonics ($n=2, 3, \ldots$) give the instrument its timbre. This is why a guitar and a violin playing the same note sound different — their overtone mixtures differ.
4. Sound Waves
Sound is a longitudinal pressure wave in a medium. Its speed in air at 0°C is 331 m/s and increases ~0.6 m/s per °C: $v_{\text{sound}} \approx 331 + 0.6T_{\text{°C}}$. The decibel scale measures intensity logarithmically:
Human hearing spans roughly 20 Hz to 20 kHz and 0 to 120 dB (beyond which lies pain and then physical damage). Pitch maps to frequency, loudness to amplitude, and timbre to harmonic content.
5. The Doppler Effect
When a wave source moves relative to an observer, the observed frequency shifts: blueshift (approaching) raises pitch/frequency, redshift (receding) lowers it. For sound with a stationary observer and moving source:
The minus sign applies as the source approaches (frequency up), the plus as it recedes. The same principle applied to light gives astronomical redshift $z = \Delta\lambda/\lambda$, which Edwin Hubble used to discover the expansion of the universe: more distant galaxies recede faster, $v = H_0 d$.
Key Takeaways
- Waves transfer energy without transporting matter; they are described by $y = A\sin(kx-\omega t+\phi)$ with speed $v = f\lambda$.
- Superposition makes waves add — constructive and destructive interference create patterns seen in water ripples, sound, and light.
- Standing waves arise from interference of reflected waves; boundary conditions pick natural frequencies (resonance) — the basis of all musical instruments.
- Sound is a longitudinal pressure wave; the decibel scale compresses its enormous intensity range into a human-relevant scale.
- The Doppler effect — frequency shifts from relative motion — connects a passing ambulance's siren to the expansion of the universe.